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• Record to digital sixteen-track tape.   Following basic tape tracking, the best takes can be flown into the computer (exact digital copy) for mixdown there, or mixed in analog into up to eight tracks (usually stereo) in the computer.

• Record up to twenty-four tracks simultaneously directly to the computer, with unlimited overdubbing.

• Mix your tracks in the Analog domain using "outside the box" analog summing.
  

• Synchronize to your video equipment.

• Overdub, Mix and/or Master your project no matter what its current format (ADAT^®, Pro Tools^®, Final Cut^®, etc) with never a lost bit.
  

• full automation of all mixing parameters, ie, channel level, pan, effects; everything
• timing and pitch correction
• quick and versatile editing
• intelligent noise reduction
  
• a wide array of digital signal processing
• external analog or digital equipment may be included in the mix
• video cueing and synchronization
  
• MIDI instruments, including soft synthesizers, outboard synths and tone modules.
  

• the warmth of real analog circuitry
• a variety of classic signal processing modules.
• MIDI instruments, including soft synthesizers, outboard synths and tone modules, synchronized to the tape
• In addition, all twenty-four outputs from the computer can be mixed in the Analog domain and mixed back into eight channels in the computer.
  

• Recording is performed directly to two discs so there are already two copies being made as you record!
• If recording to tape, a computer copy is made as soon as time is available.
  
• Each day's work is copied to a local external backup drive in its own dated folder
• Each day's work is copied to data CD/DVD and stored off-site.
• Archives of completed projects are maintained indefinitely, and we do not charge for retrieval
• The privacy and security of your work is sacred to us; there will never be a bootleg from Foxtail Sound.

Recording Equipment (All this - at no extra cost)

• Experienced Musician's Ears and Attention to Detail
  
• Two TASCAM DA-78HR 24-bit/48kHz 8-track Digital Tape machines
• Tascam HD-P2 Stereo Field Recorder
  
• Mackie 48-input (24x8) Console
• Mackie 1604-VLZ3 (16x6) Portable Monitoring Console
  
•  Mac Pro with 300-GB Safe-RAID audio recording drive
•  Logic Studio, Soundtrack Pro postproduction, Waveburner CD Mastering Software
  
• Mark of the Unicorn Digital Performer Audio Workstation Software
• Mark of the Unicorn 2408mk3 24-channel audio interface
  
• Mark of the Unicorn MIDI Timepiece AV-USB synch and MIDI interface
  
• BIAS Peak Pro, Toast / Jam Mastering Software
  
• Sony Digital Audio Tape (DAT), MiniDISC, Cassette
  
• Effects Processors (TC Electronic M3000, ART, DigiTech DSP128, MXR)
• Compressors (dbx, FMR, DOD)
• Tube Preamps (Summit MPC-100, Focusrite OctoPre, ART Tube Channel, Aphex 207, Foxtail)
• Wharfedale, Sears 4", and Mackie HR-824 Studio Monitors
  

Microphones

• AKG D-112
  
• Audio Technica AT4033 (3), AT2020 (2), AT3525, ATM25, misc
  
• Electro-Voice RE20, misc
  
• MXL 991
  
• Røde NT-1, NT-1A
  
• Sennheiser E609
  
• Shure KSM44, SM81, SM57 (2), SM58 (3), 55, 545, misc
  

Instruments and Amplifiers

• Hammond M-101 Organ (two manuals, pedals, tone wheels, tubes, and drawbars; ca. 1960)
• Leslie Model 120 rotating speaker
  
• Kimball Studio Piano
• Rhodes Stage 73 Electric Piano
• Roland JV-80 synthesizer
  
• Yamaha DX-7 synthesizer and TX-81z tone module
• Yamaha RX-17 drum module (with Latin percussion and those classic reggae hand claps)
  
• Johnson J-Station amplifier and speaker emulator
  
• High-string Guitar
  
• Acoustic and Electric Guitars and Basses (Fender, Hamer, Taylor, Yamaha, Cremona)
• Small and Large Amplifiers, tube and solid-state (Fender, Roland, Valco, etc)
  
• Assorted Percussion (gong, bell tree, train whistle, goat toenails, etc.)
  

There's more, but you get the idea. If you prefer to bring your own (some of these people did), that's fine!