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• Record to digital sixteen-track tape.   Following basic tape tracking, the best takes can be flown into the computer (exact digital copy) for mixdown there, or mixed in the analog domain to stereo into the computer.

• Record up to twenty-four tracks simultaneously directly to the computer, with unlimited overdubbing.

• Mix your tracks in the Analog domain using "outside the box" analog summing.
  

• Synchronize to your video equipment.

• Overdub, Mix and/or Master your project no matter what its current format (ADAT^®, Pro Tools^®, Final Cut^®, etc).
  

• full automation of all mixing parameters, ie, channel level, pan, effects; everything
• timing and pitch correction
• quick and versatile editing
• intelligent noise reduction
  
• a wide array of digital signal processing
• external analog or digital equipment may be included in the mix
• video cueing and synchronization
  
• MIDI instruments, including soft synthesizers, outboard synths and tone modules.
  

• the warmth of real analog circuitry
• a variety of classic signal processing modules.
• MIDI instruments, including soft synthesizers, outboard synths and tone modules, synchronized to the tape.
  

Recording Equipment

• Experienced Musician's Ears and Attention to Detail
  
• Two TASCAM DA-78HR 24-bit/48kHz 8-track Digital Tape machines
• Tascam HD-P2 Stereo Field Recorder
  
• Mackie 48-input (24x8) Console
• Mackie 1604-VLZ3 (16x6) Portable Monitoring Console
  
•  Macintosh Mac Pro with 300-GB RAID Audio Disk
  
• Mark of the Unicorn Digital Performer Audio Workstation Software
• Mark of the Unicorn 2408mk3 audio interface
• Mark of the Unicorn MIDI Timepiece AV-USB synch and MIDI interface
  
• BIAS Peak Pro, Toast / Jam Mastering Software
  
• Sony Digital Audio Tape (DAT)
• Sony MiniDISC
  
• Sony 3-head Cassette
  
• Effects Processors (TC Electronic, ART, DigiTech, MXR)
• Compressors (dbx, FMR, DOD)
• Tube Preamps (Summit, Focusrite, ART, Aphex, Foxtail)
• Wharfedale, Sears 4", and Mackie HR-824 Studio Monitors
  

Microphones

• AKG
• Audio Technica
• Electro-Voice
• MXL
  
• Røde
• Sennheiser
  
• Shure

Instruments and Amplifiers

• Hammond M-101 Organ (two manuals, tone wheels, tubes, and drawbars; ca. 1960)
• Leslie Model 120 rotating speaker
  
• Kimball Studio Piano
• Rhodes Stage 73 Electric Piano
• Roland JV-80 synthesizer
  
• Yamaha DX-7 synthesizer and TX-81z tone module
• Yamaha RX-17 drum module (with Latin percussion and those classic reggae hand claps)
  
• Johnson J-Station amplifier and speaker emulator
  
• High-string Guitar
  
• Acoustic and Electric Guitars and Basses (Fender, Hamer, Taylor, Yamaha, Cremona)
• Small and Large Amplifiers, tube and solid-state (Fender, Roland, Valco, etc)
  
• Assorted Percussion (gong, bell tree, train whistle, goat toenails, etc.)
  

There's more, but you get the idea. If you prefer to bring your own (some of these people did), that's fine!